четверг, 15 марта 2012 г.

Ecuadorean killed in New York buried at home

An Ecuadorean immigrant beaten to death in an apparent U.S. hate crime was carried to his grave on Saturday in a town that has seen thousands of others seek their fortunes abroad.

Julia Quintuna, the mother of Jose Oswaldo Sucuzhanay, sobbed as she embraced her 10-year-old grandson Brian, one of Sucuzhanay's children.

Sucuzhanay, a 31-year-old real estate agent, was attacked by a group of men who kicked and beat him with an aluminum baseball bat, shouting anti-Latino and anti-gay slurs as he walked arm in arm with his brother near his Brooklyn home on Dec. 7. He died after five days in a coma.

New York City police are still searching for three …

Smoke detectors just Band-Aid? Absurd

I would like to respond to the April 11 Personal View column ofAlex A. Burkholder headlined "Smoke detectors just a Band-Aid."

I have been a fireman for 17 years. I had the privilege ofworking on a tough smoke-detector ordinance for the City of Chicago.Through the hard work of many people, it became a reality.

In fires, death's principal ally is smoke, not flames. Thecontents of residences and especially bedrooms, with newpetro-chemical bases such as polyvinyl chloride - which emits some ofthe deadliest smoke - can accomplish their lethal work long beforethe flames have spread to the structure itself.

Burkholder asks: "What of the tenant in the …

Afghan Leader: Cut Back on Airstrikes

KABUL, Afghanistan - Afghan President Hamid Karzai is calling for the U.S. and NATO to cut back on airstrikes in the battle against Taliban and al-Qaida militants, saying too many civilians have been killed.

Karzai said that six years after the U.S.-led invasion the Afghan people "cannot comprehend as to why there is still a need for air power."

"The United States and the coalition forces are not (killing civilians) deliberately. The United States is here to help the Afghan people," Karzai told the U.S. news program "60 Minutes" for a story scheduled to air Sunday night.

Asked if he wants the use of airstrikes curtailed, Karzai replies, "Absolutely. Oh, yes, in …

Official: Comoros black boxes too deep for divers

Investigators have concluded that the black boxes from a plane that plunged into the Indian Ocean with 153 people onboard are too deep to be reached by divers, a French official said Tuesday.

Yemenia Airways Flight 626 crashed into the Indian Ocean north of the Comoros Islands a week ago. A 12-year-old girl was the sole survivor.

A French submarine picked up signals from the plane's two black boxes on Sunday but no one has yet located the boxes, which contain the plane's flight data and cockpit voice recorders.

The French official, speaking from a crisis unit set up at the French embassy in Comoros after the crash, said two teams of investigators from the French navy and …

среда, 14 марта 2012 г.

Landau to sign autographs on Dec. 6

The 2011 "America's Got Talent" winner Landau Eugene Murphy Jr.will be at Budget Tapes & Records in Kanawha City for an autographsession at 3 p.m. Dec. 6.

Murphy, a Logan County native, won the …

Transportation access affects employment

A Lancaster County official says that employers should support efforts to improve transportation services for residents in southeastern Lancaster city because they represent such a large, untapped labor pool.

The Urban League of Lancaster County, Red Rose Transit Authority and the Lancaster County Workforce Investment Board released a report in early June on how transportation affects southeastern Lancaster city residents' access to jobs. Local businesses should work with these organizations to overcome the challenges the report identified, said Travis Martin, executive director of Lancaster County Transportation Management Services.

The Lancaster Chamber of Commerce & …

Boars help German cops capture auto theft suspect

A herd of wild boars has thwarted a suspected car thief's getaway in northern Germany.

Police in Schwerin say the 18-year-old abandoned a stolen SUV he was driving Thursday after failing to shake off a chasing patrol car by driving into a field.

Police nabbed his passenger immediately. But they say the driver initially got away by running into nearby woods.

Breaking up the right way

Family lawyers have urged separating couples to use theirservices to avoid acrimonious break-ups.

This Monday was named as the day on which the largest number ofcouples file for divorce - fuelled by the emotional and financialtensions of the Christmas break.

But the family law group Resolution says there is a more amicablealternative to bitter divorce battles.

John Brownrigg of city law firm Stone King, who is Resolution'sspokesman in Bath, said: "An estimated one in three marriages endsin divorce - a painful and often long-winded process withsignificant emotional and financial costs.

"Collaborative family law is a relatively new process that aimsto …

Canadian guitarists unite

If you're a Canadian guitarist and you're looking for an organization to join, the Canadian Guitar Players Association (CGPA) is the one for you. The federally incorporated, non-profit organization is run by volunteers and offers guitarists free membership, which includes a membership card, certificate and periodic mailings with guitar information.

Started by Jan Menkal in December of 2000, the …

AP Executive Morning Briefing

The top business news from The Associated Press for the morning of Wednesday, September 24, 2008:

Exec pay limits gain support as bailout questioned

WASHINGTON (AP) _ Executives whose companies get a piece of the $700 billion government bailout will have their pay packages strictly limited under proposals that are broadly supported by both Republicans and Democrats in Congress. The Bush administration was resisting the move as it scrambled to overcome widespread misgivings on Capitol Hill and swiftly push through its plan to rescue tottering financial firms by buying up their rotten assets.

___

Buffett's Berkshire betting $5 billion on …

Fun production with fine singing and lovely dancing

The Wiz, Crispin School, Strode Theatre, Street

Based on The Wizard of Oz, The Wiz is a great fun musical withplenty of characters and toe-tapping tunes.

Taking the role of Dorothy was Katt Butt who proved she has afine singing voice and a good line in comic timing too with somenice dialogue delivery.

Alfie Perry as the Scarecrow was clearly enjoying himself and hehad the wobbly physicality needed for the role down to a tee as wellas a good singing voice.

Sophie Hunt-Davison as the Lion was excellent she had some lovelyfeline gestures and movements as well as a good voice.

The Tinman was played by Ashley Browning who was suitably …

No. 12 Boise State Wraps Up Trip to BCS

RENO, Nev. - It's not official yet, but all those orange-clad fans flowing onto the Mackay Stadium turf told the story: Boise State is BCS bound.

Ian Johnson ran for 147 yards and three touchdowns and Jared Zabransky passed for 299 yards to lead Boise State to a 38-7 win over Nevada on Saturday, wrapping up a spot in the Bowl Championship Series for the unbeaten Broncos.

Zabransky completed 20-of-27 passes, including a 45-yard TD to Legedu Naanee for the Broncos (12-0, 8-0 in the Western Athletic Conference), who are 39-1 in the WAC since 2002 and have won at least a share of the league title five years in a row.

"This is the most dominant team in WAC history," …

Sun-Times wins Pulitzer for series on urban crime

The Chicago Sun-Times on Monday won the 2011 Pulitzer Prize for local reporting, with a series of stories that told readers "why they won't stop shooting in Chicago."

The Pulitzer puts reporters Frank Main, Mark Konkol and photographer John J. Kim in the company of such legendary Sun-Times newsmen as Roger Ebert, John H. White and Jack Higgins.

Main, Konkol and Kim won the Pulitzer for their painstaking, heartbreaking documentation of violence in Chicago neighborhoods, and the devastating impact of the increasingly widespread "no-snitch code." The Sun-Times team spent a year probing the lives of victims, criminals and detectives.

"This is totally unexpected, and it's a great thing," said a stunned Konkol. "I'm just glad that I work with such great people, and it's about time the Sun-Times got some recognition for the work we do every day."

The news came, as things often do in a busy city newsroom, with a shout: "Pulitzer! . . . Konkol and Main!" Cheers erupted and champagne corks popped as word spread through the Sun-Times offices.

"It's not every day that I hear multiple squeals of joy," said Publisher John Barron. "That's what happened when we found out. What a great sound. There are so many smiling faces around here now. This is a superb reward for Frank, Mark and John on some incredible work. We're giving them the rest of the day off."

Main, the Sun-Times' crime reporter, was making his daily beat calls when he got the news, and Konkol had just returned from getting a cup of coffee.

"This comes as a lightning bolt for me," Main said. "It's something that you never dream of when you're doing your daily reporting job. I'm honored I'm in the same company as many great journalists at the Sun-Times who've been honored."

Kim didn't get the news for a couple of hours. He was on vacation Monday, getting a wobbly wheel fixed. When he finally checked his cell phone, he had 17 messages — including one from work — and thought perhaps he'd been laid off.

He walked into the newsroom to a standing ovation, and said he was very proud of "Our little paper that could."

"I'm so proud of our paper and the really hardworking staff," Kim said.

It's the Sun-Times' first Pulitzer since 1989, when Jack Higgins won for editorial cartoons. Other Sun-Times journalists with Pulitzers include film critic Roger Ebert and photographer John White.

All together, the newspaper has won eight Pulitzers, the most prestigious award in American journalism.

Editor in Chief Don Hayner said he was especially proud of the work that won the 2011 prize, noting the no-snitch code "has long been a problem in Chicago, and these guys have shed a light on a very pressing concern for the city."

Metro Editor Paul Saltzman, who edited much of the coverage that was honored by the Pulitzer board, said, "This is the kind of work that we aim to do and that people need us to do — big stories that other people aren't doing, that get to the heart of complex problems that we all need to pay attention to. And to have that recognized with the Pulitzer Prize — it's just an amazing feeling."

At a newsroom gathering Monday afternoon, Barron praised Kim, Konkol and Main for doing great work during difficult times in a newsroom that has experienced deep cuts.

"The one thing we haven't had to trim is our ambitions about being the best local newspaper in Chicago," Barron said. "And this award goes right to that ambition."

Konkol paid tribute to the late James Tyree, who led a group of investors in buying the Sun-Times out of bankruptcy in October 2009.

"We wouldn't have been here if it wasn't for the buyout with James Tyree," Konkol said. "It's kind of sad that as a South Side guy and a White Sox fan, he's gone and he's not here to see this."

Konkol was characteristically modest about the impact of the prize-winning stories.

"We didn't change anything, maybe, but we shed a little light on what it's really like out there," he told his colleagues. "And I'm just glad I got to be a part of it."

Metro Editor Paul Saltzman, who played a key part in the award-winning series, toasts Frank Main (left) and Mark Konkol (right) for winning a Pulitzer Prize. | jean lachat~sun-timesJean LachatPhotographer John J. Kim (from left) and reporters Mark Konkol and Frank Main celebrate their Pulitzer in the Sun-Times newsroom. | Jean Lachat~Sun-TimesJames Tyree

вторник, 13 марта 2012 г.

Predators-Wild Sums

Nashville 0 1 4—5
Minnesota 2 1 1—4

First Period_1, Minnesota, Heatley 16 (Johnson), 8:04. 2, Minnesota, Heatley 17 (Cullen), 12:36 (pp). Penalties_Falk, Min (hooking), 9:39; Weber, Nas (holding), 12:15.

Second Period_3, Minnesota, Clutterbuck 13 (Cullen, Falk), 1:29. 4, Nashville, Halischuk 12 (Klein, Yip), 9:33. Penalties_Tootoo, Nas (roughing), 6:02; Clutterbuck, Min (slashing), 6:02.

Third Period_5, Minnesota, Brodziak 14 (Johnson, Heatley), :16. 6, Nashville, Yip 1 (Halischuk, C.Smith), 9:22. 7, Nashville, Hornqvist 15 (Kostitsyn, Weber), 16:39. 8, Nashville, Fisher 13 (C.Wilson, Erat), 17:00. 9, Nashville, Fisher 14, 19:39. Penalties_None.

Shots on Goal_Nashville 10-8-12_30. Minnesota 11-7-7_25.

Power-play opportunities_Nashville 0 of 1; Minnesota 1 of 1.

Goalies_Nashville, Rinne 29-11-4 (25 shots-21 saves). Minnesota, Harding 9-7-3 (30-25).

A_17,325 (18,064). T_2:27.

Referees_Don Van Massenhoven, Greg Kimmerly. Linesmen_Brad Lazarowich, Scott Cherrey.

Ferrari looking forward _ not back

Ferrari will not waste time second-guessing its efforts after Felipe Massa lost the Formula One title to Lewis Hamilton on the final day of the season.

"It was an incredible end to the season and once again I think we have to be proud of what we have done," Domenicali said Monday. "There is no reason for us to look back and say 'What if? What if?'"

In Sunday's Brazilian Grand Prix, McLaren's Hamilton took the drivers' title by passing Timo Glock on the final turn to take fifth place and beat race-winner Massa of Ferrari by a single point in the season standings.

"In all my years in Formula 1, I haven't seen such an incredibly exciting finish to a championship," said Ferrari president Luca Cordero di Montezemolo. "I always said that we'd be fighting until the last corner of the last Grand Prix and that's exactly what happened."

Ferrari gained some consolation by taking its eighth constructors' title in the last 10 years, a feat no team has ever accomplished before.

"It's a great achievement. This year Felipe had two races that will remain in the history of his growing career. One was Hungary, where unfortunately we had a problem but he was really fantastic," Domenicali said on Ferrari's Web site, referring to when Massa's engine blew while he was leading with three laps to go.

"And then there was (Sunday). I think that Felipe has matured a lot."

Ferrari's other driver, Kimi Raikkonen, finished the season third in the drivers' standings, after winning last year's title.

"This was a difficult year for him," Domenicali said, adding that he hopes Raikkonen will bounce back like Valentino Rossi did in winning the MotoGP title this year. "I am expecting the same kind of approach in 2009."

Montezemolo also praised both of Ferrari's drivers.

"We have two great drivers in Felipe and Kimi," Montezemolo said. "Felipe in particular is in my thoughts as he crossed the finish line yesterday as world champion only to see the title slip through his fingers a few seconds later. I can only imagine how painful that moment must have been for him.

"However, I would like to give him my very special compliments, not only for dominating the running out there on the track in front of his fans, proving he is worthy indeed of the world title, but also for his maturity and sportsmanship off the track."

At 23, Hamilton became the youngest and first black driver to win the F1 title.

"He was a very powerful rival indeed and his win, close though it was, was well deserved," Montezemolo said. "He'll have the No. 1 on his car next season, but he can rest assured of one thing: we'll be doing our very best to put it back on a Ferrari."

VW taps Tennessee for new US production site

Volkswagen AG has picked Chattanooga, Tenn., over sites in two other states for its new U.S. auto plant, Europe's biggest automaker said Tuesday.

Sites in Alabama and Michigan were also considered for the plant, which is part of Volkswagen's strategy to increase its presence in America. The company closed its last U.S. production facility in 1988 in western Pennsylvania.

Christian Wulff, the governor of Lower Saxony and a member of VW's supervisory board, told The Associated Press that Volkswagen picked Chattanooga after the board debated the merits of the location and its benefits.

Volkswagen said in a later statement that it approved up to $991.4 million to build the facility, with the plant aiming for a capacity of 150,000 cars a year. It plans to employ 2,000 workers when it starts production in 2011.

"The USA market is an important part of our volume strategy and we are now very resolutely accessing that market," chief executive Martin Winterkorn said in the statement. "Volkswagen will be extremely active there."

The company holds only a 2 percent share of the U.S. market. VW officials have said the company intends to more than triple its U.S. sales to 1 million by 2018.

The German state of Lower Saxony owns more than 20 percent of Volkswagen.

Wulff said the new plant in the U.S., in addition to its factories in India and Russia, is part of the company's strategy to become the world's No. 2 automaker.

The automaker has said the surging euro has pushed along plans for a new production facility. The 15-nation currency hit a record high of $1.6038 on Tuesday, making goods exported from Germany more expensive in the United States.

Shares of Volkswagen, whose brands include VW, Audi, Skoda, Bentley, Bugatti and Seat, were steady at 169.78 euros ($271.48) after the decision.

___

AP Business Write Antje Homburger in Hamburg, Germany contributed to this report.

___

On the Net:

http://www.volkswagen.com

Mexico's Aviacsa wins court ruling, starts flights

Mexican airline Aviacsa has resumed flights after winning a court ruling against a government order grounding its fleet over safety concerns.

An Aviacsa statement says it resumed operations Saturday after a judge struck down the government order. The airline denies it has safety problems.

The Mexican government suspended Aviacsa flights Wednesday after officials reported irregularities in the maintenance of 25 planes.

The Transportation Department said in a statement it would appeal the decision. It said Aviacsa had not resolved the safety issues raised by the government, including an insufficient number of staff to inspect aircraft.

The department warned passengers against flying on the airline until the problems are addressed.

Car burnt out during late-night garage fire [Edition 2]

A VEHICLE was destroyed in a late-night carport fire that couldhave been caused by youths playing with fireworks.

The carport, containing a Renault Clio, burnt down asfirefighters tackled the blaze in Wellington Road, North Weald, ataround 11.48pm on Friday.

The two houses either side were also damaged by the flames andsmoke.

An investigation into the cause of the blaze has since beenlaunched by the police and fire service.

The Renault belonged to Mary Winwood, whose husband woke her withthe news the garage was on fire.

The couple's other car miraculously escaped undamaged, eventhough the garage collapsed inches away.

She said: "It was absolutely horrendous, I still cannot believeit. If kids started it with fireworks I wish they could see whatdamage they have caused. I'm just glad noone was hurt."

Robyn Law, 29, who lives opposite the garage, was asleep when sheheard the commotion outside.

She said: "By the time I came out it was all up in flames and thecar was exploding."

Firefighters from Ongar, Epping and Harlow spent about 40 minutestackling the flames.

Police cordoned off the scene and a car remained on siteovernight.

Results from the Mexican soccer league

Weekend results in Mexican Clausura first-division football:

Friday

Estudiantes 2, Cruz Azul 1

Saturday

Jaguares 1, Monterrey 1

Queretaro 2, Atlas 1

Atlante 3, Cd. Juarez 0

Tigres 0, Toluca 1

Pachuca 1, Morelia 0

Chivas 6, Santos 2

Sunday

Pumas 0, San Luis 0

Puebla 2, America 1

Yemen uprising binds women from many walks of life

SANAA, Yemen (AP) — Early in Yemen's uprising, about 20 women with banners demanding equal rights marched into the heart of the capital, joining the thousands who were calling for the ouster of the president. They were greeted with cheers.

The women settled into a spot below the stage in the middle of Change Square. But as the days passed, "the women's section" became off-limits to men. A fence went up around it. Then straw mats were slung over the fence to conceal the women. Policed by bearded males, Yemen's traditional gender segregation had insinuated itself into the center of the revolt.

Women are fighting to keep demands for their rights at the center of Yemen's uprising and resist efforts to sideline them. The main goal of the protests is an end to President Ali Abdullah Saleh and his regime, in place for nearly 33 years. But the liberals who launched the campaign nine months ago have always had broader hopes for blanket social change in a country where tribe and religion dominate, no matter who is in power.

Women's role in the uprising was recognized globally when Tawakkul Karman, a female icon of the protest movement, won the 2011 Nobel Peace Prize. But here in Sanaa, the reality is that every woman who joins the rallies has to rebel against the heavy pressure of social codes.

They also face the growing influence of Islamic hard-liners at Change Square, as activists have named the intersection where they have set up their protest camp. Islamic movements are richer and better organized than the secular side. They dominate Change Square's organizational committee and have attacked tents where men and women were gathered, seeking to undo the gender mixing that has been fostered by the revolution.

"They are systematically excluding us women," said Wameedh Shaker, who wears the hallmarks of liberal Yemeni womanhood — jeans, knee-length coat and a scarf covering her hair.

She remembers the exhilarating welcome for that first march.

"We felt like everything we can dream of will come true." said Shaker, a 31-year-old mother of one. "Coming into the square was like going to a paradise of respect and compassion. It was like the best men and women of Yemen gathered at one place."

About a fifth of those taking to the streets every day in protests are women — a level of participation that in itself represents a revolution for Yemen, where women are discouraged from inserting themselves into the public eye, much less the public debate.

In a poor nation of mountains, desert and few resources, women have had the poorest lot: female illiteracy runs at 70 percent, an average of eight women die every day because of poor health services or total lack of them. Men across much of the country marry girls as young as 10, with no legal minimum age for marriage. Only seven percent of Yemeni women earn a wage, though in most cases they raise the children, tend the land, graze sheep and cattle, cook and clean. Protest, or even participation in public debate, is rare.

Somaya al-Qawas embodies the change.

She used to wear the most conservative of women's attire in Yemen, the khymar — an all-black tent that covers the body and head and hides the eyes behind a semi-translucent piece of cloth. It was what God wants, she believed.

In her early 20s, she took a small step toward moderation: She switched to the niqab, in which the veil has a slit exposing the eyes. And last month, at age 30, she marched into the makeshift hospital at the Change Square protest camp in a head scarf that exposed her face and a broad smile to the world.

"I told you I would, didn't I? Maybe you didn't expect it so soon," the mother of two said. "Am I the same person still? Yes. But some look at me as if I have become morally loose."

It was a dramatic leap in a personal journey of disillusionment with the ultraconservative version of Islam her family ascribes to. Her sisters were married at ages 11, 13, 14 and 16. She was the rebel: She waited until she was 23.

She pushed the strict confines of her marriage arrangements. She spoke to her husband only twice before their wedding — both times by phone after they were engaged. In their second call, she nearly broke up with him, angry because he too easily bowed to her family's warnings not to phone her.

She joined the revolution, and the revolution accelerated the change in her.

Her sisters, she said, "don't oppose what I am doing at Change Square, but they are clearly dismayed by it." She writes for an online newspaper and occasionally does live commentary for a private, pro-revolution TV station.

She has also grown away from Islah, the Islamist group that is Yemen's largest party and was always her political compass. She says the party instilled her principles in her, for which she's grateful, but "our revolution is broader than just one ideology. I can no longer exclude anyone who has different beliefs."

She also wants Islah to explain why it was a key supporter of the regime for so long, even if now it has latched on to the protests.

Al-Qawas says her businessman husband, Hesham al-Hameiri, backed her decision to join the protests. But Yemeni men in general are her adversary. "The next revolution in Yemen is a revolution against men's oppression of women," she says.

If Al-Qawas came to women's empowerment from the outside, Hooria Mashhour fought for it from within Saleh's government through the state-run National Committee for Women.

Mashhour knew the organization existed mainly as a ruling party tool to bring out the women's vote, but she believed change had to come through the system. The widow of a top security official, she has a comfortable lifestyle in a luxury high-rise apartment in Sanaa.

The government's turn to violence to crush the revolution was too much. In March, at age 56, she quit the organization and started giving speeches and workshops at Change Square.

Now she works with an independent women's group focused on two demands: setting a minimum marriage age of 17 and a 30-percent quota for women in parliament.

In past upheaval, she says, women's rights took a back seat to other nationalist goals, like ending British colonial rule and feudal monarchy in the 1960s and unification of the two separate countries of North and South Yemen in 1990.

Now, she insists women's time has come. The post-revolutionary state, she says, "will have to include women in numbers that mirror the magnitude of their role in the revolution."

Jihad al-Jafri grew up in the once-independent south, where a socialist government tried to instill a more secular, less tribal society.

When she moved to Sanaa for college, she had to come to terms with its much more conservative attitudes. Here, she says, women are viewed either as sex objects to be covered up in the street or slaves at home.

Now married and settled in the capital, the 41-year-old psychiatrist has learned to adapt. She wears the niqab, for example, though she insists it's by choice, not by pressure.

"As women in the south, we went out to socialize only after sundown. But in Sanaa, women are home by sundown," she said.

Saleh's regime sought to reverse liberalization in the south, sending militant clerics to preach there, introducing a less woman-friendly family law and promoting a stricter dress code.

For al-Jafri, the uprising is a chance to roll back those changes.

She and her husband, a physician, have both been suspended from their government jobs for joining the protests. Piece by piece, al-Jafri sells off her dowry of gold jewelry so the family can eat and pay rent.

During a protest in April, al-Jafri volunteered to be a human shield for male protesters when security forces opened fire with live ammunition.

"I ran to the area where the protesters were targeted hoping that my presence there as a woman would stop the firing," she recalled.

The men noticed, she says, and respected what she did. "I can walk alone at Change Square at 3 in the morning and no one will bother me, not one bit."

Still she knows there's a long way to go.

"It will take 40 years to create a clean society in Yemen," she said. "There may well be other revolutions to strike roots for change and build a new Yemen, really new."

Campbell Soup's quarter at a glance

Campbell Soup Co.'s net income declined in the third quarter because of restructuring and tax costs, even as revenue rose. Here's how the comparisons break down:

_ OVERALL REVENUE: up 6.9 percent

_ COST AND EXPENSES: up 7.8 percent

_ NET INCOME: down 3.4 percent

_ ADJUSTED EARNINGS: up 9 percent

_ TOTAL U.S. SOUP SALES: up 2 percent

_ U.S. CONDENSED SOUP SALES: down 1 percent

_ U.S. READY-TO-SERVE SOUP SALES: 4 percent

_ U.S. BROTH SALES: up 9 percent

_ BAKERY AND SNACK SALES: up 11 percent

_ INTERNATIONAL SOUP, SAUCES AND DRINK SALES: up 11 percent

_ NORTH AMERICAN FOOD SERVICE SALES: down 3 percent

понедельник, 12 марта 2012 г.

AP Sources: June 6-7 set for Olympic TV bidding

LONDON (AP) — The IOC has invited U.S. networks to Switzerland on June 6-7 to bid on the next set of multi-billion dollar Olympic television rights, Olympic officials told The Associated Press on Wednesday.

Network executives will travel to International Olympic Committee headquarters in Lausanne to make presentations and submit sealed offers for rights to the 2014 and 2016 Games, with the option of seeking a four-games package through 2020.

Two Olympic officials with direct knowledge of the situation confirmed the bidding dates. The officials spoke on condition of anonymity because no official announcement has been made.

The dates were first reported by Sports Business Daily.

At stake are the rights to at least two Olympics — the 2014 Winter Games in Sochi, Russia, and 2016 Summer Olympics in Rio de Janeiro. The IOC has said the networks can also make offers on a four-games package including the 2018 and 2020 Olympics, whose host cities have not yet been chosen.

NBC, ESPN and Fox are expected to be the main contenders.

The IOC postponed the U.S. rights negotiations for more than a year because of unfavorable economic conditions, but believes the time is now right to strike a deal.

In an interview last month with the AP, IOC rights negotiator Richard Carrion said he expected three networks to compete for the contract and that the winning fee will surpass the $2 billion that NBC paid for the 2010 and 2010 Games.

"Clearly, our expectation is for it to be higher," he said.

Carrion, who heads the IOC's finance commission, said the goal was to complete a deal before the IOC general assembly in early July in Durban, South Africa.

Traditionally, the IOC awards the rights for two Olympics at a time, but the networks have expressed interest in the possibility of a four-games deal this time.

In 2003, NBC outbid ESPN and Fox for the rights to the 2010 Vancouver Winter Games and 2012 London Olympics. NBC paid $2 billion in direct rights fees and parent company General Electric signed on as a global sponsor in a $200 million agreement to bring the total to $2.2. billion.

NBC is now controlled by Comcast.

"Obviously this is about '14 and '16, but if a bidder wants to make a longer-term commitment and a longer-term deal, we are willing to look at that," Carrion told AP last month. "It will be a minimum of two (games), but it could turn out somebody makes a very compelling bid for four and we take it."

TV rights fees provide the bulk of the IOC's revenue, with the U.S. share accounting for more than half the total. About half the money goes to host cities, with the rest split among the IOC, international federations and national Olympic committees.

Eto'o scores twice to rally Barcelona to draw

Samuel Eto'o scored twice _ including a late equalizer _ as Spanish league leader Barcelona came from two goals down to draw 2-2 at Real Betis on Saturday and stretch its unbeaten run to 22 league games.

Betis was two goals up within 25 minutes through Juan "Melli" Andreu and Mark Gonzalez before Eto'o scored off the rebound from his saved penalty in the 45th for his 100th league goal for Barcelona.

The Cameroon striker's shot in the 84th needed a slight deflection to get past Betis goalkeeper Ricardo Soares, who looked set to hand Barcelona its first loss since opening day by making several fine saves toward the end of the game, including a point-blank volley by Gerard Pique in the 82nd.

"A point against Barcelona is a point," Betis coach Paco Chaparro said.

Barcelona saw a 10-game winning streak snapped, however, as it moved to 60 points after Eto'o took his league-leading goal tally to 23.

"We came to win and it wasn't to be, but I've got nothing to be upset about because the team played and created a number of chances,"Barcelona coach Pep Guardiola said. "Specially in the second half when they just didn't fall."

Real Madrid can get to within 10 points of its archrival when it travels to Sporting Gijon on Sunday, where it will look to extend its seven-game winning streak without Netherlands midfielders Arjen Robben, Wesley Sneijder and Rafael Van der Vaart.

A Raul Albiol own-goal allowed Malaga to draw 1-1 at Valencia in a match of Champions League hopefuls.

Spain defender Albiol deflected Eliseu Pereira's low cross into his own goal in the 59th only six minutes after David Villa scored his 18th of the season to put Valencia ahead.

Valencia was even with third-place Sevilla, which plays Espanyol on Sunday, with 38 points, Villarreal has 37 and Malaga has 36 _ one better than Atletico Madrid and Deportivo La Coruna, which drew 0-0 against Osasuna.

In Sunday's other games, it's: Atletico Madrid vs. Getafe; Racing Santander vs. Villarreal; Almeria vs. Valladolid; Athletic Bilbao vs. Recreativo Huelva; Numancia vs. Mallorca.

At Seville, Barcelona could have been ahead in the sixth but Eto'o failed to control the ball while alone in front of goal, with Xavi Hernandez eventually firing a hard shot wide.

Betis' defense was troubled from the 10th when center back Juanito Gutierrez was forced off through injury, and he would later be joined by William Lima.

But Betis struck first in the 18th, Melli heading Achille Emana's in-swinging corner kick beyond goalkeeper Victor Valdes.

Seven minutes later, Gonzalez controlled Sergio Garcia's cross along the left to send a left-footed volley under Valdes and inside the post.

The momentum continued Betis' way after Gonzales' goal with Emana swiveling to volley over in the 38th.

But a questionable penalty call by referee Alfonso Perez Burrull began Barcelona's fightback.

Perez Burrull whistled Branko Ilic for a foul after he brushed against Andres Iniesta as the Barcelona winger moved along the left of the area.

Eto'o pounced on the rebound after his initial penalty was saved to slot past Ricardo.

Gonzalez thought he'd scored a second in the 50th but the Chile winger was ruled offside.

Barcelona coach Pep Guardiola brought Lionel Messi and Thierry Henry on in the 57th as Barcelona pressed, with Ricardo getting a finger to Iniesta's low drive in the 72nd.

Ricardo Oliveira was played clear through in the 73rd without a defender in sight but the Betis striker rushed his shot and Valdes saved.

At the Mestalla, Villa received from David Silva at the left edge of the area before curling over goalkeeper Inaki Goitia into the far side of goal to trail only Eto'o in goals this season.

Both goalkeepers made big stops throughout, although the crossbar saved Villa's audacious chip from outside the area just before halftime.

Goitia saved Joaquin Sanchez's low-rising shot in the 11th before Cesar Sanchez denied Pereira on a counterattack.

Brazilian back Thiago Carleto made his Valencia debut in the 15th after replacing Emiliano Moretti, who withdrew with a knee injury.

Cesar stopped Albert Luque's high volley in the 25th before the Malaga striker sent a crossgoal header just wide.

Valencia's Hedwiges Maduro cleared off the line in the 38th before Cesar rushed out to deny Eliseu in the 45th.

Goitia stopped Manuel Fernandes' dangerous free kick in the 82nd.

NY man arrested buying drugs with slaughtered pig

It was a simpler sort of drug trade.

Syracuse police say a 45-year-old man offered a slaughtered pig as partial payment for a bag of crack cocaine.

They say two men were spotted making the deal on a street corner just before 8 p.m. Thursday.

Angelo Colon of Fulton was arrested on a misdemeanor drug possession charge and 42-year-old Omar Veliz faces a felony drug sale charge.

Police say Colon paid half a pig and $10 for a $50 bag of crack. Veliz told police the pig was for a celebration for a relative being released from jail.

While officers were arresting the suspects, someone took the pig.

Police don't know if the men have lawyers.

Swatch clocks record sales of $7.5 billion in 2011

GENEVA (AP) — Swatch Group, the world's biggest watch manufacturer, on Tuesday announced record sales last year of 7.14 billion Swiss francs ($7.5 billion), citing strong demand for its timepieces and jewelry, particularly in emerging countries such as China.

The Swiss watchmaker warned that it would face a "major challenge" in 2012 improving on already high sales, which jumped almost 11 percent last year from 6.44 billion francs in 2010.

Sales would have been even higher but for what Swatch described as the "catastrophic" strength of the Swiss currency, which reduced sales figures by 696 million francs. Most of its products are sold abroad in dollars and euros and therefore affected by exchange rate fluctuation.

The company has successfully broadened its portfolio in recent years and gained a strong foothold in Asia, despite competition from local companies and counterfeiters.

Swatch is also trying to free itself from a long-standing requirement by Swiss competition authorities to sell components such as gears, springs and wheels to its smaller competitors.

Last year, it succeeded in getting permission from the Swiss Competition Commission to reduce its supply of these so-called mechanical movements to rivals by 15 percent compared with 2010. The company is hoping for a further reduction next year and eventually a complete lifting of the supply requirement.

"The market now has several suppliers who could produce these movements," said spokeswoman Beatrice Howald. "We don't want to be forced to deliver to everyone."

Swatch shares were up 3.3 percent at 375.80 francs ($395.72) on the Zurich exchange late Tuesday.

Tobias Levkovich, Research Analyst, Citigroup

(This is not a legal transcript. Bloomberg LP cannot guarantee its accuracy.)

TOBIAS LEVKOVICH, RESEARCH ANALYST OF CITIGROUP, TALKS ABOUT MARKETS ON BLOOMBERG TV

AUGUST 20, 2010

SPEAKERS: TOBIAS LEVKOVICH, RESEARCH ANALYST, CITIGROUP

TOM KEENE, HOST, 'BLOOMBERG SURVEILLANCE'

KEN PREWITT, HOST, 'BLOOMBERG SURVEILLANCE'

08:07

TOM KEENE, HOST, 'BLOOMBERG SURVEILLANCE': With us, Tobias Levkovich.

Let me get right to it, Tobias. We need math in August. OK? We are 2.48 standard deviations below the mean.

I mean, if you've got these fancy charts here, and you look at how much we've come down, are you saying buy here, as others, including Dennis Gartman, go to cash?

TOBIAS LEVKOVICH, RESEARCH ANALYST, CITIGROUP: What we're saying is on a relative basis, equities look a lot more attractive than bonds do at this point. And I want to buy on weakness. So when the markets pull back, I want to take advantage. I don't want to chase the market given some of the uncertainties in place today. But on a valuation factor, the equity market is factoring already a lot of bad news in the earnings environment.

KEENE: Yes.

KEN PREWITT, HOST, 'BLOOMBERG SURVEILLANCE': So the equity market is wrong?

LEVKOVICH: Not necessarily wrong, but the extent to which the investment community has gotten fearful. And just almost - think about it. Over the past week or two, we've heard about things like death crosses and the technical indicators are the Hindenburg Omen and things like that, and it just gives you a sense of the -

KEENE: Help me here.

Folks, it's a jargon-free planet.

What is a Hindenburg whatever you called it?

LEVKOVICH: Well, I didn't - I haven't created the Hindenburg Omen, but it was a technical -

KEENE: Is this like a Clemente thing?

LEVKOVICH: No. It was a technical indicator created by a mathematician looking at the percentage number of highs in the market and lows in the market. And when they cross over a certain percentage, it causes a Hindenburg moment.

KEENE: It causes the New York Mets to win.

LEVKOVICH: I'm the wrong guy to talk baseball with. But the context here is that only one out of four times does this Hindenburg Omen mean anything in terms of sending a bad signal, yet it was all the rage after an article in "The Wall Street Journal" recently. So it gives you an idea of how these kinds of articles are affecting the mindset in the investors.

PREWITT: Yes. Well, you know, Tom just read some of the numbers. You know, the two-year treasury at .47, the 10-year barely above 2.5. McDonald's goes to Hong Kong and sells three-year bonds at three percent.

I mean, do we reach a point here where people say, come on, I've got to have some return?

LEVKOVICH: Well, you would say the junk bond market is so strong because of that in terms of the yield opportunity. The MLP markets are strong, the REIT market has been strong, anywhere we can get a better yield.

The dividend area is a little bit more complex given the expiration issues of the Bush tax cuts and what's going to happen with that in the future. We don't know the answer. We don't know the answer in general dividends, but in things like REITs and MLPs, that's not an issue.

PREWITT: Right.

LEVKOVICH: So, you know, in the sense that investors do want yield, but they're also fearful of what's going on, so they've been running to bonds. What I'm concerned about in the bond market is not bonds are a bad investment. The extremities of the money flows is what worries me.

So, for example, back in 2000, or late '99, we saw massive amounts of money going into the equity market at just the wrong time. And I feel the same way when I look at all the money going into bonds.

KEENE: I mean, this is a huge debate, Jeremy Siegel of "The Wall Street Journal" versus Paul Krugman right now.

Is there a bond bubble, Tobias?

LEVKOVICH: I don't like the word "bubble."

KEENE: I don't either.

LEVKOVICH: I think bubble is something you define as something you don't personally own. So you kind of categorize it as a bubble because it justifies or rationalizes your view.

I do think that there is an uneven distribution in the way money is flowing into different assets. And right now it's all out of equities and all into bonds. And again, 10 years ago it was the reverse, and we kind of know what happened in the past 10 years in stocks.

KEENE: Are dividends a yield equivalent?

LEVKOVICH: You know, European strategists do a lot of work on this, and the dividend yields in Europe crossed the treasuries, or the equivalent government bonds in Europe in terms of the yields, over a year ago. It hasn't really done much to change the mindset, so I'm not sure it's the fact that you have these crossovers that cause everyone to wake up and smell the coffee beans.

PREWITT: Well, you know, when you look - I mean, there's a reason it's called fixed income. Right?

LEVKOVICH: Yes.

PREWITT: Dividends can - I mean, they can go down, but dividends can also go up.

LEVKOVICH: Well, the truth is our greatest concern in the fixed-income market is if you believe - and you almost have to take extremes. If you believe we're going to get stimulus working globally and we're going to get economic growth, then there will be some inflation down the road, and obviously bonds are risky.

On the other side, if we don't have that, and we potentially go down the deflation route, you're going to have some real big risks in terms of the imbalance between federal revenues and federal expenditures. In other words, deficits will continue to balloon.

And we can say, well, it was Japan, and they went through this. But Japan doesn't source 40 percent of their funding from outside of their own country. We do.

PREWITT: You mentioned the Bush tax cuts, which is all part of the uncertainty argument. We don't know what's going happen. They expire at the end of the year unless Congress does something.

So does that mean everything's going to be on hold until the end of the year?

LEVKOVICH: I'm not sure if it's on hold until the end of the year, but it's certainly going to be watched very carefully as to where we're heading in November.

PREWITT: Oh.

LEVKOVICH: So my sense is in October, we're going to get a much better feel for what the midterm elections outcomes look like. And while I've heard talk around, well, they'll do something in the lame duck session, that will have to be a pretty significant set of compromises, because I don't think - potentially, if the Democrats were to lose a fair amount of seats, that could be a big problem to try to do something in the lame duck.

So I - you know, they're going to be viewed at circumventing the will of the people, and I don't think you want to take that route.

PREWITT: Excuse me, Tom.

If the tax cuts do expire, would that possibly be a plus in the sense that it's not uncertain anymore?

LEVKOVICH: Well, I think anything that removes uncertainty is a positive, but think in these terms. Right now, Citigroup's forecast for GDP next year in the U.S. is about 2.4 percent. If all the tax cuts expire, you can take at least another point out of that GDP number. And if you're in the 1 to 1.5 percent range next year, that's not going to feel good for markets.

KEENE: And with the second quarter markdown that we're looking at here off of inventories and trade balance and such, how do you trail on earnings forecasts from these new normal GDP statistics?

LEVKOVICH: Well, number one, I probably take a little bit of an issue with the term "new normal." One of the things that we've watched really carefully - and this has been talked about for over year - we talk about call it the old normal. You're going to go to what I call conscientious consumption instead of conspicuous consumption.

KEENE: I like that. Very good. I can't spell it, but it's good.

LEVKOVICH: Well, it's not frugality - or frivolity to frugality, as one of my dear friends David Rosenberg suggests. But it's more about people thinking before they buy for a moment, because - I know it's a horrible statistic, everybody hates hearing it - the top 20 percent of American income earners account for 50 percent of discretionary spending, and they own 90 percent of stocks.

So, if stocks go up, they feel wealthier. If the stocks go down, they feel leas wealthy and don't spend. And that's been consistent for years and years and years, and I don't think that's going to change.

KEENE: No.

LEVKOVICH: So I'm not necessarily in the new normal. I just think that people will be a little bit more thoughtful.

KEENE: We're going to come back and have a thoughtful - what did you say, conscientious?

LEVKOVICH: Conscientious.

KEENE: A conscientious discussion with Tobias Levkovich of Citigroup in our next half hour.

8:14

(BREAK)

8:37

KEENE: We continue with Tobias Levkovich, Strategist, CitiGroup. What do you overweight now? I notice here energy you are overweight. A lot of the strategists we talk to are looking at demand and they are little fragile here on oil - $73.42. Why the enthusiasm?

LEVKOVICH: Well, one of the things we - we are very different when we look at our work for the various industry leaders. We look at five factors typically - valuation, earnings revision trends. We look at sentiment factors. We look at fundamental drivers for stock prices.

And this is probably where we really start to move differently from a lot of analysts. I want to know how the market treats information, not how I would like it to be treated. So we actually back test about 330 different economic series to see which one have been the best predictors for individual industry groups. We look at about ten or 15 uniquely correlated to each of industry group and in energy, for instance, it is signaling stocks should go up. The valuation criteria, again, how do markets treat information.

So I think the way you almost positioned the question was a lot of the analysts say the price of oil here, the stocks are going to have some difficulty. We actually say that is interesting if your forecast is right, but if your forecast ends up being inaccurate, then your forecast for the stocks will be inaccurate. I would rather see how markets treat information.

PREWITT: Well, then what do you do with an oil company, Tobias? You look at proven reserves.

LEVKOVICH: Yes.

PREWITT: Divide - figure out how many barrels per share and go from there?

LEVKOVICH: Well, we actually don't get down to the specific only level. We leave that for the energy analysts themselves to do it. As a strategist, I am looking at the broader industry -

PREWITT: Right.

LEVKOVICH: groups. So I - when I look at the energy industry, I am looking at integrated oils, I am looking at refiners, I am looking at oil production companies, I am looking at oil field equipment services companies. So right now the integrateds actually look some of the best on our data.

PREWITT: Oh, they do?

LEVKOVICH: Yes, but it is not trying to say company X has these reserves. It will cost them this much to extract. For one thing, those forecasts also have been proven inaccurate. You find out the reserves are improperly calculated or technological advantages come and you change your extraction class, so that is why when I want to do it that way.

PREWITT: Yes, but I was thinking of a great quote from years and years ago, -

LEVKOVICH: Yes.

PREWITT: - when the oil M&A activity was heating up and it was the cheapest oil in the world was on the floor of the New York Stock Exchange.

KEENE: Tobias, you've got a 30 percent under valuation on S&P 500 on one of your metrics. And then you've got the famous Levkovich panic euphoria model, which is like it is grim now. I mean it is straw hats in winter. How do you pull the trigger on buying that straw hat in January?

LEVKOVICH: I think the issue for us is really looking at - or let me step back. The primary fear in the market in our minds is that we are going to blow our budget deficits apart.

And we will potentially - and I say potentially, I do not think we are going there, - but we could look like Greece. In other words, we are not dealing with a 2.5 percent ten-year bond yield, we are dealing with a 10.5 percent bond yield. And at that point, you are in really, really big trouble.

So I think that is the great fear. And the deficit reduction signals, if you want to call it that, are one, the mid-term elections in November; two, for the President's bipartisan deficit reduction committee or fiscal responsibility committee's report in December; and then the Bush tax expiration in January. So we have some very clear signals here as to where we are heading, and we think those are going to be a very important catalyst for the market.

We will probably start to discount if you like the mid-term election outcomes early in October. In other words, right now it is still two and a half months or so until the election. If it is two and a half weeks, the markets will probably start to filter that information and start pricing it into place.

PREWITT: $3 trillion in corporate bank accounts these days. We are in the middle of a big flurry of merger and activity here. This is - August is shaping up to be the busiest month this year. Does that continue?

LEVKOVICH: I think to some degree. I think we ought to be careful of that $3 trillion number. It includes banks and a lot of those assets tend to be our money that we have deposited in there.

PREWITT: Oh, yes.

LEVKOVICH: So you have to take financials out, but you are still talking in the $1.7 trillion numbers, which are staggering amounts of money in any way you calculate it.

What we have been hearing - and I heard one of the comments from the M&A head at Sylvan Cromble (ph) that you just had on the radio, - that we are clearly seeing the lawyers at the M&A firms seeing preliminary work picking up, but it is nowhere near the surge of activity we were looking at in '06 and '07 when -

KEENE: Right.

LEVKOVICH: - funding costs were easy and we were talking about literally no limitations to the amount of money you could do a deal with and we have Covenant Light and all that kind of stuff. Today the Covenants, for example, on high yield issuance is pretty tight.

KEENE: All right, -

PREWITT: Well, Tobias, we had been talking about all this cash building up and CEOs afraid to do anything with it. Are we going to look back at the Intel deal for McAfee and the BHP Billiton for Potash - are we going to look back at this and say, yes, that was the beginning of more confidence on the part of corporations?

LEVKOVICH: We could have argued this six months ago on -

PREWITT: Yes, true.

LEVKOVICH: - some other transactions that were announced or at least potentially coming to fruition. I think again we are going to have a steady improvement as opposed to just a spike. And I think people are overly interpreting every piece of information.

KEENE: Well, within that, and within cash on balance sheets, is there a new level of cash given the uncertainty out there?

LEVKOVICH: Well, there are two aspects. One is we just went through this horrific liquidity crisis where companies were terrified about where they were going to get money from and I guess they would get money from. So they are sitting on a higher pile of liquidity just a - the memory is lingering on and it is too short term. We have not distanced ourselves enough from March of '09.

On the other side of that, you also have the notion that they are worried about putting some of that money to work because of uncertainty related to regulatory and legislative agendas. And again, I think the mid- term elections may help clear some of that air.

KEENE: Where would you not be right now? I mean I know you are underweight in media, but is there one sector that is particularly difficult?

LEVKOVICH: Retailing is one that looks a little difficult, not because we have a real great concern about the consumer, but the valuation criteria and earnings revisions were way high. Ninety percent of all estimates were to the upside, now they are rolling over.

So it is not necessarily saying, hey, it's going to have a bad Christmas or holiday season, it is more about just the expectations got too far. In the instance - the one area I would still worry about in technology a great deal, is in semi-conductors.

KEENE: And I am glad you're here because I've got an announcement here. Tobias Levkovich, thank you. Being a strategist is a tough business.

8:44

***END OF TRANSCRIPT***

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Penn State has hired New England offensive coordinator Bill O'Brien as head football coach

STATE COLLEGE, Pa. (AP) — Penn State has hired New England offensive coordinator Bill O'Brien as head football coach.

среда, 7 марта 2012 г.

An 'avenue of sculpture'

ARTROPOLIS

What: Art Chicago, NEXT, International Antiques Fair

Hours: 11 a.m.-7 p.m. Friday-Saturday; 11 a.m.-6 p.m. May 2; 11 a.m.-4 p.m. May 3

Where: Merchandise Mart, between Wells and Orleans

Admission: $20; $25 for a multi-day pass

Information: (312) 527-3701; www.artropolischicago.com

Chicago is known for its wealth of public art scattered throughout the city. So the massive Art Chicago 2010 wouldn't be complete without some of the same.

Spread throughout the first floor of the Merchandise Mart and along Orleans Street art fans will find an interesting array of large sculptures by artists from Chicago and other locations around the world.

"This is our fourth Art Chicago in the Merchandise Mart," said the show's director Tony Karman. "Each year, we try to activate the inside and outside with artwork."

Art Chicago, the international fair of contemporary and modern art, is the largest event of its kind in the Midwest. It's the centerpiece of Artropolis, a citywide celebration of art, antiques and culture. Two companion shows -- NEXT, an exhibition featuring work by emerging artists, and the International Antiques Fair -- also will be housed in the Merchandise Mart starting Friday and running through May 3.

Included in Art Chicago are on-site exhibits, including "New Insight," featuring rising stars from art programs around the country; "Partisan," works that explore social and political issues; and "Perspective Texas," a showcase of work by leading artists from Texas. As opposed to these shows, which have an admission fee, the sculpture is a public art display open to anyone passing by.

Scattered throughout the Mart will be 15 large-scale works by Rodney Graham, Kiki Smith, Dzine, Tony Tasset and Dietrich Klinge, among others. These will be installed during the coming week.

"Countercurrents," the sculpture display already installed along Orleans, just north of the river, features work by members of Chicago Sculpture International, an organization dedicated to the advancement of the artform, especially in a natural landscape.

"The show is a very eclectic mix of material and concepts," exhibit curator Mimi Peterson said. "The pieces are large in scale and strong in material, which links each to the urban landscape."

Peterson says the organization's goal is to get the public thinking about art. Thus public art is a form of education.

The hope is that it will draw the viewer inside to Art Chicago where CSI has a booth displaying smaller sculptures.

"This work inside is quite different," Peterson said. "It's more on a human scale. It's a more emotional interpretation of the material and the philosophy of the artist."

Here's a look at four Chicago artists and the work they chose for the public art display.

"Blob Monster" by Tony Tasset

"Blob Monster" spent the winter in Tony Tasset's Oak Park backyard, blocking his garage. Now it will be stationed at the main entrance of the Merchandise Mart, adding a manic splash of color to the massive building.

The fun, colorful piece, standing 15 feet high, was quite the conversation piece among his neighbors, especially the children, who loved it.

"There are some funny pictures of it sitting in the snow," Tasset said, laughing.

Made with a rigid urethane foam that expands when poured and turns hard in a matter of minutes, its a simple, universal sort of image.

"I see the colorful drips as a cartoony version of a Jackson Pollack painting," Tasset, 49, said. "It's not quite a 'Scooby-Doo' monster, not quite a ghost. I think it speaks to a large audience."

Tasset attended the School of the Art Institute and now is associate director of the school of art and design at the University of Illinois Chicago. He's a multimedia artist who also works in video, bronze, photography and film.

Tasset's next public art project will be literally eye-catching. It's a giant eyeball planned for tiny Pritzker Park on State Street adjacent to the Harold Washington Library Center, where the piece will be displayed July-October.

"The Majestics" by Dzine

It's pretty obvious that Dzine's "The Majestics" is inspired by the custom cult world of low-riders, where stunning tricked-out cars are the centerpiece.

His dazzling tricked-out bike, to be displayed in the Merchandise Mart's first-floor lobby, is completely ridable and comes with an audio soundtrack -- a meditative heartbeat.

"The audio represents the idea of living and breathing this culture," Dzine said. "It's really borderline obsessive. Kind of religious."

The piece, incorporating Swarovski crystals, silver leaf, mirror, paint and fabric, is named after a well-known West Coast low-rider club.

Dzine (aka Carlos Rolon) likes the fact that this type of work takes him outside the context of the art world.

"Working and engaging with people who don't care about the art world but are making these unbelievable pieces of art is amazing and inspiring," he said.

Another side of his inspiration, came from Puerto Rican bicycle clubs and the spillover into Chicago.

"I would see these old Latin guys in Humboldt Park on these crazy cool bikes," Dzine said. "They were really tricked out."

Dzine, 39, who is of Puerto Rican descent, is self-taught and started out as a graffiti artist. Also a painter, he creates stunning psychedelic images bursting with vibrant colors.

But it's work like "The Majestics," that he says allows him a platform to take his work further into new vistas.

"There is definitely work that I create that is meant to be hung on a white wall," Dzine said. "But there's also pieces like this meant to work in a very public manner. It's something anyone can understand, from curators to the delivery people. It crosses boundaries and aesthetics."

"Finish" by Terry Karpowicz

Chicago artist Terry Karpowicz knows a lot about sculpture as public art. He was one of the founders of Pier Walk, which at its height brought 178 sculptures from around the country and the world to Navy Pier in the late '90s for an extended stay.

His elegant piece, titled "Finish," is on display on Orleans as part of Chicago Sculpture International's public art happening "Countercurrents."

"We've turned Orleans into an avenue of sculpture," Karpowicz, 61, said. "It's the perfect blank canvas for some public art."

"Finish" is a figurative image of an athlete leaning for the finish line. Made of industrial steel and sealed with a gold finish, he says it speaks to "ideas about achievement, preciousness and greed."

Karpowicz feels that the demise of Pier Walk left a void in the community which the membership of Chicago Sculpture International is filling.

"Public art is about large-scale sculpture," he said. "And that's what CSI is all about. The majority of our membership works large when we have the opportunity. "

"Scrape" by Dusty Folwarczny

Dusty Folwarczny grew up in Winfield, Mo., just outside St. Louis, where her father owned a pipe and steel company. After years spent wandering the yard, all that steel worked its way into her subconscious.

Today, Folwarczny works with the scraps from her father's company to create large sculptures that turn a pile of steel into a work of art.

"I didn't want to sell pipe," Folwarczny said, laughing. "So it's my way of being part of the family business."

"Scrape," a steel sculpture of what looks like balancing rings is part of the Orleans Street public art exhibit. Folwarczny says she wanted to make this piece "inviting and easy to engage with."

"I saw this work when we installed it," she said. "Passersby sort of wanted to sit in it. To get up in it."

Folwarczny, who now lives in Lincoln Park, dabbled in art in high school but was torn between the "healing arts and visual arts" in college. She started out in pre-med but a drama class spent building stage sets led her to sculpture. She looks at a scrap pile of steel "as a puzzle to be solved."

"I love working with steel and its raw textured surface and the beautiful oranges in the rust," Folwarczny, 30, said. "And I love the idea of public art's power to change people's view of the world."

"Scrape" is her first entry into Art Chicago, and she has her eyes on the prize.

"It's a great feeling to see my art on a downtown street, she said. "It's my goal to someday have a piece on permanent display."

Color Photo: Richard A. Chapman, Sun-Times / Chicago artist Terry Karpowicz says Orleans Street is the perfect blank canvas for a public art show. His sculpture, "Finish," illustrates his "ideas about achievement, preciousness and greed." Color Photo: Three of the sculptures featured in Art Chicago 2010 are: "Scrape" by Dusty Folwarczn,... Color Photo: ... "The Majestics" by Dzine,... Color Photo: ... "Blob Monster" by Tony Tasset.

SHOOTING SUSPECT GIVES UP

00-00-0000
Accompanied by his mother and brother, shooting suspect Sonenalinh Kounduangta surrendered to police Saturday evening. The 16-year-old Vancouver boy is accused of shooting two college students after being turned away from a party July 13. Wahed Magee, 21, remains in serious condition. Ryan Quinlan, 22, is in fair condition. Both are being treated at Legacy Emanual Hospital in Portland and are students at Washington State University in Pullman. Vancouver Police Sgt. John Chapman of the gang robbery unit said publicity in the case probably prevented friends and family from keeping Kounduangta in hiding. At a press conference Wednesday, police announced a warrant for his arrest on suspicion of first-degree assault. He said Kounduangta's mother arrived Friday in this area from her home in Alaska. The family said they happened to see Kounduangta walking along the street and then accompanied him to the Vancouver Police Department's central precinct on Stapleton Road about 5:45 p.m. "They said they saw him walking around, which I find very hard to believe," Chapman said, but he added that what's important is that he is in custody. The family waited at the station for officers to arrive. "I talked to him; he's calm," Chapman said. Chapman began interviewing Kounduangta on Saturday night, hoping to find out more about what happened the night of the shooting. Police say Kounduangta is a member of a local gang and that he was with a large group of people who tried to crash a party in the 1300 block of Northwest 52nd Street. When the crashers were told to leave, they began vandalizing cars, kicking and walking on them, and tearing off one car's spoiler. People at the party confronted them, and that's when police say Kounduangta opened fire. $00:0200300822: $199:A0200300822 $01:Copyright 2002 The Columbian Publishing Co. $02:$?The Columbian $20:July 21, 2002, Sunday $30:Front Page; Pg. a1 $60:LOMAX SAVED THE SOUNDS OF AMERICA: LITTLE-KNOWN MUSIC PATHFINDER DIES AT 87 $90:TED ANTHONY, Associated Press writer $120: He was an adventurer with boundless energy, scouring mountains and back roads for authentic American voices and carrying them home to the city, where performers with names like Guthrie and Seeger and Dylan listened and changed forever the way the country listened to music. Unless you're in the record business or the folklore business, odds are you never heard of Alan Lomax. But it would be nearly impossible to find, anywhere, an American untouched by his decades of seeking out and popularizing the music of the masses. Lomax, who died Friday at 87, believed the American folk tradition was something to be preserved, passed on to the future in an age when technology and faster-paced lives were threatening to swallow it up. And so he did, by the thousands, one song at a time. Delta blues, Appalachian ballads, New Orleans jazz, English bawdy songs Lomax was hungry for them all. Wherever they were sung, he and his bulky equipment were there, long before interstate highways and air travel made remote places accessible. At first, he worked with his father, John Avery Lomax, a patriarch of folk-music collecting. Then he worked for the Library of Congress, nearly doubling its folk-music archive. He hosted radio shows, issued records, compiled folk songs into books and credited the men and women who had provided his bounty. Lomax hit the road with his father in 1933, when he was 18. They traversed the south, stopping at prison farms, sawmills, general stores, anywhere people might be willing to share their very personal music with strangers no easy task for an outsider, especially one from back east. In these remote villages and settlements and patch towns, the Lomaxes found people still singing the songs their parents taught them, songs whose lives stretched back to the 19th, 18th, 17th centuries and even across the sea back to England or Ireland or, in the case of the blues, West Africa. By 1937, Lomax was embarking on his own trips. He set out for a wild, mountainous expanse of eastern Kentucky that few outsiders ever visited. In the car was his Presto reproducer, a needle-driven recorder that captured songs on heavy, fragile acetate disks. He was 22. It was a bumpy trip. Battery cells went dead. He ran out of blanks. One county had received power just before he arrived; others lacked electricity entirely. One man attempted to stab Lomax, convinced the song collector was making moves on his wife. But the excursion was fruitful, producing 228 new songs like "Rising Sun Blues," which would become popular within a few years as "House of the Rising Sun." Even the not-so-memorable songs were viewed by Lomax with affection. "I have made so far 32 records, some of them quite marvelous, some of them mediocre, but all necessary," he wired Washington from Harlan, Ky., in September 1937. A ubiquitous part of the New York City folk scene of the early 1940s, Lomax passed the songs he had collected to the musicians who would later become cornerstones of the Folk Revival. Among those who adopted Lomax finds: Lead Belly, whom Lomax's father had "discovered" in a Louisiana prison, Woody Guthrie and Pete Seeger. It was a heady time to be a folk musician. Politics leftist, populist politics had given many a sense of purpose. Performers needed material that echoed of the masses, and Lomax was thrilled to provide it. "He purposely tried his best to infect us with these songs," Pete Seeger recalled later. "One of the reasons we had a folk revival in this country was that Alan Lomax could recognize those qualities in a song that could make someone 1,000 miles from Kentucky want to sing them," Matt Barton, head of the Lomax Archives in New York City, said in a 2000 interview. Not everyone appreciated Lomax. His abrasiveness alienated some of his contemporaries. His politics disgusted others and, in the early 1950s, contributed to his seven-year trip to England. Others criticized him as they had his father for compiling "composites" of folk songs taking versions from several people and blending them into one. What Alan Lomax did was, in a way, inherently contradictory. He was terrified that recorded sound would eradicate the folk-singing tradition. Who needed to sing when you could play a record? And yet Lomax used the very instrument he feared to accomplish his goals. And in large part because of him, that music managed to be preserved even as it changed. Today, any American can visit the Library of Congress and hear the voices of miners and railroad men and grandmothers and itinerant balladeers who sang long ago into machines long gone. Yesterday's America, today's ears. Lomax put it this way in 1940: "The essence of what makes America lies not in the headlined heroes but in the everyday folks who live and die unknown, yet leave their dreams as legacies." Alan Lomax, who used technology to give voice to the voiceless, is silent now. But the voices he preserved? In the records of yesterday and the music of today, we are hearing them still.

MARGARET ELLIS, Columbian staff writer


SHOOTING SUSPECT GIVES UP00-00-0000
Accompanied by his mother and brother, shooting suspect Sonenalinh Kounduangta surrendered to police Saturday evening. The 16-year-old Vancouver boy is accused of shooting two college students after being turned away from a party July 13. Wahed Magee, 21, remains in serious condition. Ryan Quinlan, 22, is in fair condition. Both are being treated at Legacy Emanual Hospital in Portland and are students at Washington State University in Pullman. Vancouver Police Sgt. John Chapman of the gang robbery unit said publicity in the case probably prevented friends and family from keeping Kounduangta in hiding. At a press conference Wednesday, police announced a warrant for his arrest on suspicion of first-degree assault. He said Kounduangta's mother arrived Friday in this area from her home in Alaska. The family said they happened to see Kounduangta walking along the street and then accompanied him to the Vancouver Police Department's central precinct on Stapleton Road about 5:45 p.m. "They said they saw him walking around, which I find very hard to believe," Chapman said, but he added that what's important is that he is in custody. The family waited at the station for officers to arrive. "I talked to him; he's calm," Chapman said. Chapman began interviewing Kounduangta on Saturday night, hoping to find out more about what happened the night of the shooting. Police say Kounduangta is a member of a local gang and that he was with a large group of people who tried to crash a party in the 1300 block of Northwest 52nd Street. When the crashers were told to leave, they began vandalizing cars, kicking and walking on them, and tearing off one car's spoiler. People at the party confronted them, and that's when police say Kounduangta opened fire. $00:0200300822: $199:A0200300822 $01:Copyright 2002 The Columbian Publishing Co. $02:$?The Columbian $20:July 21, 2002, Sunday $30:Front Page; Pg. a1 $60:LOMAX SAVED THE SOUNDS OF AMERICA: LITTLE-KNOWN MUSIC PATHFINDER DIES AT 87 $90:TED ANTHONY, Associated Press writer $120: He was an adventurer with boundless energy, scouring mountains and back roads for authentic American voices and carrying them home to the city, where performers with names like Guthrie and Seeger and Dylan listened and changed forever the way the country listened to music. Unless you're in the record business or the folklore business, odds are you never heard of Alan Lomax. But it would be nearly impossible to find, anywhere, an American untouched by his decades of seeking out and popularizing the music of the masses. Lomax, who died Friday at 87, believed the American folk tradition was something to be preserved, passed on to the future in an age when technology and faster-paced lives were threatening to swallow it up. And so he did, by the thousands, one song at a time. Delta blues, Appalachian ballads, New Orleans jazz, English bawdy songs Lomax was hungry for them all. Wherever they were sung, he and his bulky equipment were there, long before interstate highways and air travel made remote places accessible. At first, he worked with his father, John Avery Lomax, a patriarch of folk-music collecting. Then he worked for the Library of Congress, nearly doubling its folk-music archive. He hosted radio shows, issued records, compiled folk songs into books and credited the men and women who had provided his bounty. Lomax hit the road with his father in 1933, when he was 18. They traversed the south, stopping at prison farms, sawmills, general stores, anywhere people might be willing to share their very personal music with strangers no easy task for an outsider, especially one from back east. In these remote villages and settlements and patch towns, the Lomaxes found people still singing the songs their parents taught them, songs whose lives stretched back to the 19th, 18th, 17th centuries and even across the sea back to England or Ireland or, in the case of the blues, West Africa. By 1937, Lomax was embarking on his own trips. He set out for a wild, mountainous expanse of eastern Kentucky that few outsiders ever visited. In the car was his Presto reproducer, a needle-driven recorder that captured songs on heavy, fragile acetate disks. He was 22. It was a bumpy trip. Battery cells went dead. He ran out of blanks. One county had received power just before he arrived; others lacked electricity entirely. One man attempted to stab Lomax, convinced the song collector was making moves on his wife. But the excursion was fruitful, producing 228 new songs like "Rising Sun Blues," which would become popular within a few years as "House of the Rising Sun." Even the not-so-memorable songs were viewed by Lomax with affection. "I have made so far 32 records, some of them quite marvelous, some of them mediocre, but all necessary," he wired Washington from Harlan, Ky., in September 1937. A ubiquitous part of the New York City folk scene of the early 1940s, Lomax passed the songs he had collected to the musicians who would later become cornerstones of the Folk Revival. Among those who adopted Lomax finds: Lead Belly, whom Lomax's father had "discovered" in a Louisiana prison, Woody Guthrie and Pete Seeger. It was a heady time to be a folk musician. Politics leftist, populist politics had given many a sense of purpose. Performers needed material that echoed of the masses, and Lomax was thrilled to provide it. "He purposely tried his best to infect us with these songs," Pete Seeger recalled later. "One of the reasons we had a folk revival in this country was that Alan Lomax could recognize those qualities in a song that could make someone 1,000 miles from Kentucky want to sing them," Matt Barton, head of the Lomax Archives in New York City, said in a 2000 interview. Not everyone appreciated Lomax. His abrasiveness alienated some of his contemporaries. His politics disgusted others and, in the early 1950s, contributed to his seven-year trip to England. Others criticized him as they had his father for compiling "composites" of folk songs taking versions from several people and blending them into one. What Alan Lomax did was, in a way, inherently contradictory. He was terrified that recorded sound would eradicate the folk-singing tradition. Who needed to sing when you could play a record? And yet Lomax used the very instrument he feared to accomplish his goals. And in large part because of him, that music managed to be preserved even as it changed. Today, any American can visit the Library of Congress and hear the voices of miners and railroad men and grandmothers and itinerant balladeers who sang long ago into machines long gone. Yesterday's America, today's ears. Lomax put it this way in 1940: "The essence of what makes America lies not in the headlined heroes but in the everyday folks who live and die unknown, yet leave their dreams as legacies." Alan Lomax, who used technology to give voice to the voiceless, is silent now. But the voices he preserved? In the records of yesterday and the music of today, we are hearing them still.

MARGARET ELLIS, Columbian staff writer


SHOOTING SUSPECT GIVES UP00-00-0000
Accompanied by his mother and brother, shooting suspect Sonenalinh Kounduangta surrendered to police Saturday evening. The 16-year-old Vancouver boy is accused of shooting two college students after being turned away from a party July 13. Wahed Magee, 21, remains in serious condition. Ryan Quinlan, 22, is in fair condition. Both are being treated at Legacy Emanual Hospital in Portland and are students at Washington State University in Pullman. Vancouver Police Sgt. John Chapman of the gang robbery unit said publicity in the case probably prevented friends and family from keeping Kounduangta in hiding. At a press conference Wednesday, police announced a warrant for his arrest on suspicion of first-degree assault. He said Kounduangta's mother arrived Friday in this area from her home in Alaska. The family said they happened to see Kounduangta walking along the street and then accompanied him to the Vancouver Police Department's central precinct on Stapleton Road about 5:45 p.m. "They said they saw him walking around, which I find very hard to believe," Chapman said, but he added that what's important is that he is in custody. The family waited at the station for officers to arrive. "I talked to him; he's calm," Chapman said. Chapman began interviewing Kounduangta on Saturday night, hoping to find out more about what happened the night of the shooting. Police say Kounduangta is a member of a local gang and that he was with a large group of people who tried to crash a party in the 1300 block of Northwest 52nd Street. When the crashers were told to leave, they began vandalizing cars, kicking and walking on them, and tearing off one car's spoiler. People at the party confronted them, and that's when police say Kounduangta opened fire. $00:0200300822: $199:A0200300822 $01:Copyright 2002 The Columbian Publishing Co. $02:$?The Columbian $20:July 21, 2002, Sunday $30:Front Page; Pg. a1 $60:LOMAX SAVED THE SOUNDS OF AMERICA: LITTLE-KNOWN MUSIC PATHFINDER DIES AT 87 $90:TED ANTHONY, Associated Press writer $120: He was an adventurer with boundless energy, scouring mountains and back roads for authentic American voices and carrying them home to the city, where performers with names like Guthrie and Seeger and Dylan listened and changed forever the way the country listened to music. Unless you're in the record business or the folklore business, odds are you never heard of Alan Lomax. But it would be nearly impossible to find, anywhere, an American untouched by his decades of seeking out and popularizing the music of the masses. Lomax, who died Friday at 87, believed the American folk tradition was something to be preserved, passed on to the future in an age when technology and faster-paced lives were threatening to swallow it up. And so he did, by the thousands, one song at a time. Delta blues, Appalachian ballads, New Orleans jazz, English bawdy songs Lomax was hungry for them all. Wherever they were sung, he and his bulky equipment were there, long before interstate highways and air travel made remote places accessible. At first, he worked with his father, John Avery Lomax, a patriarch of folk-music collecting. Then he worked for the Library of Congress, nearly doubling its folk-music archive. He hosted radio shows, issued records, compiled folk songs into books and credited the men and women who had provided his bounty. Lomax hit the road with his father in 1933, when he was 18. They traversed the south, stopping at prison farms, sawmills, general stores, anywhere people might be willing to share their very personal music with strangers no easy task for an outsider, especially one from back east. In these remote villages and settlements and patch towns, the Lomaxes found people still singing the songs their parents taught them, songs whose lives stretched back to the 19th, 18th, 17th centuries and even across the sea back to England or Ireland or, in the case of the blues, West Africa. By 1937, Lomax was embarking on his own trips. He set out for a wild, mountainous expanse of eastern Kentucky that few outsiders ever visited. In the car was his Presto reproducer, a needle-driven recorder that captured songs on heavy, fragile acetate disks. He was 22. It was a bumpy trip. Battery cells went dead. He ran out of blanks. One county had received power just before he arrived; others lacked electricity entirely. One man attempted to stab Lomax, convinced the song collector was making moves on his wife. But the excursion was fruitful, producing 228 new songs like "Rising Sun Blues," which would become popular within a few years as "House of the Rising Sun." Even the not-so-memorable songs were viewed by Lomax with affection. "I have made so far 32 records, some of them quite marvelous, some of them mediocre, but all necessary," he wired Washington from Harlan, Ky., in September 1937. A ubiquitous part of the New York City folk scene of the early 1940s, Lomax passed the songs he had collected to the musicians who would later become cornerstones of the Folk Revival. Among those who adopted Lomax finds: Lead Belly, whom Lomax's father had "discovered" in a Louisiana prison, Woody Guthrie and Pete Seeger. It was a heady time to be a folk musician. Politics leftist, populist politics had given many a sense of purpose. Performers needed material that echoed of the masses, and Lomax was thrilled to provide it. "He purposely tried his best to infect us with these songs," Pete Seeger recalled later. "One of the reasons we had a folk revival in this country was that Alan Lomax could recognize those qualities in a song that could make someone 1,000 miles from Kentucky want to sing them," Matt Barton, head of the Lomax Archives in New York City, said in a 2000 interview. Not everyone appreciated Lomax. His abrasiveness alienated some of his contemporaries. His politics disgusted others and, in the early 1950s, contributed to his seven-year trip to England. Others criticized him as they had his father for compiling "composites" of folk songs taking versions from several people and blending them into one. What Alan Lomax did was, in a way, inherently contradictory. He was terrified that recorded sound would eradicate the folk-singing tradition. Who needed to sing when you could play a record? And yet Lomax used the very instrument he feared to accomplish his goals. And in large part because of him, that music managed to be preserved even as it changed. Today, any American can visit the Library of Congress and hear the voices of miners and railroad men and grandmothers and itinerant balladeers who sang long ago into machines long gone. Yesterday's America, today's ears. Lomax put it this way in 1940: "The essence of what makes America lies not in the headlined heroes but in the everyday folks who live and die unknown, yet leave their dreams as legacies." Alan Lomax, who used technology to give voice to the voiceless, is silent now. But the voices he preserved? In the records of yesterday and the music of today, we are hearing them still.

MARGARET ELLIS, Columbian staff writer